Purely a subjective opinion (and I apologise if the artist shows up in this thread) but is it me or does it look like the person who made the background took a step back after it was done, marvelled at how pretty it was, and enjoyed the moment before thinking “…fuck I forgot about O’Brien”?
It’s a great bit of artwork but poor Miles looks like an afterthought!
Summit (Play Store)
Just to be a proper poser…
…obviously that was a lie, I could never afford persistent storage. Floppy swaps were king.
Ah sorry, I wasn’t clear - I meant the way the issues were sensibly and rationally outlined!
yeah yeah yeah but how can we get the rage about sensible and rational issues like that???
I was brought up on C, did a module of Java at uni, and am doing an algorithms course which is python heavy.
My other half - who’s quite handy with Python - looks in sheer horror at my code which is littered with semicolons.
I was stumped for half an hour figuring out why the Python interpreter was bouncing an error before it had even reached the main program logic… turns out a { before the block of code royally ruins the interpreter’s day.
Still, I live and learn.
Right click?? Why did we ever need a second or third or seventeenth button anyway?
They have played us for absolute fools
Nothing wrong with being an OG Doom lover.
There’s a reason that the thirty seconds between 00:10 and 00:40 is an absolute masterpiece.
The sound design is half the reason why Doom was so good, and why Doom II is better - going up point blank to a tanky enemy with the super shotgun and making every shot count is borderline orgasmic - second only to beserk-punching an Imp into gibs while still moving forward, beautiful.
Honestly friend, I would give Sigil 2 a bash first. I’m sorry if I’ve spoiled it, but deffo give it the 90mins it takes to rattle through the episode before you YouTube it. It’s good fun all told!
It’s perhaps why Sigil 2’s M8 was so weird - these “rules” of Cyber or Mastermind usage have been known for a long time, and E6M8’s implementation just pisses over the rulebook and burns it in the corner.
It’s like Doom II’s Gotcha… but for primary school.
I have a huge collection of Doom games and merch - I’m a big id fan and bigger Romero fan.
First thing people should do with an interest of the series is get a copy of Masters of Doom by David Kushner, absolutely brilliant read.
Next, subscribe to some awesome Doomtubers like Zero Master, Civvie11, decino, and Coincident. Zero Master’s stuff is generally commentary free but absolutely unbelievable, CV11’s stuff is hilarious, decino explains the mechanics very well, and Coincident puts it all together in one facerocketing package.
My only real claim to fame was writing the first FAQ for a Doom expansion, but it’s nice to have contributed back to the community.
I bought an Xbox 360 when I found out Doom was being re-released for it - I was already thinking about it when Alan Wake came out, but took a day off work and hooned Doom when it came out on the then-XBLA. I never really bothered with the Xbox One or Series S in the house either… until the Unity port came out. It’s a system seller for me.
It’s the game I’d take on a desert island with me - partly because the feel of the game is just perfect to me, but you’d never get bored with the endless WADS for them - particularly when you use limit-removing ports.
Outstanding game. 11/10 A+++++ would play again
Well, they’ve got a point.
I’m surprised they didn’t put the boot in to the UK’s shameful abstention too.
Disgraceful.
That’s a shame. I can sort of understand taking Unreal and RtNP from the storefronts from a financial perspective as a remaster is rumoured to be in the works, but UT99 - along with Quake III Arena - was probably influential in taking online multiplayer from the discrete deathmatch or capture the flag maps into what would be eSports and games as a service… as much as that makes me almost barf to say.
I’ve always quite liked Sweeney for being “old school” in his approach to game design and company direction, even if I didn’t necessarily like how he went about it, but it has really pulled a hair out of my arse how he’s gone off the rails in the last 6-12 months - complaining about needing more linux devs one month, and binning off hundreds off staff a few weeks later even though they’re proper rinsing the Fortnite cash cow.
Great nod to the Valve documentary though, I enjoyed that far more than I should have.
It’s a tale of two halves, literally.
(edit: crash course for the uninitiated: Fortnite was a great game, until it launched it’s Battle Royale mode - Fortnite then effectively became this game mode, whereas the base game was left to die as Save The World.)
It’s a mode that people paid money for, and Epic treat it as a second rate game even though without it, there wouldn’t even be this behemoth that Fortnite has become.
Epic have come a long way from Epic MegaGames, and it isn’t always a fairytale story I suppose.
Not sure what brings back more nostalgia in that picture to be honest. The feeling of the vastness of a game that had no right to feel so big given it’s constraints, or the GLC’s lyric “I made love to a BBC Micro”.
Awesome, I think I may go back to a language myself. Thanks for checking it out and letting us know!
Anecdotally, a friend who’s pretty handy at languages uses more Memrise than Duolingo now. Similar sort of setup, but with a different style of delivery - more visual cues and a better repetition approach.
Jesus,that “list of places” is an awful, fragmented mess. No wonder the high seas are so popular.
Not that it matters when this is the best episode ever :)
I don’t get it. I mean I get it because it’s Ninty, but I don’t get why now?
Has there been something in a major new feature update that has finally tipped the scales into clearly taking the piss, or have the legal team at Big N finally seen their erections subside after the game’s launch and only now can move enough to do something about it?